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An enchanting, hypnotic trilogy of witchcraft, adventure, and romance from the beloved author of Interview with the Vampire and The Vampire Lestat, The Mayfair Witches is a wondrous journey through the centuries, across the globe, and between the human and demonic worlds. Now all three novels in Anne Rice’s spellbinding series have been collected for the first time in this stunning eBook bundle:
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THE WITCHING HOUR
LASHER
TALTOS
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On the screened porch of a great New Orleans house, now faded, a mute and fragile woman sits rocking. She belongs to a legendary dynasty of witches—a family that is itself haunted over the ages by a dangerous and seductive being named Lasher. Their story begins in our time, with a rescue at sea. Rowan Mayfair, a brilliant neurosurgeon aware of her abilities but oblivious to her ancient line, finds the drowned body of Michael Curry off the coast of California and brings him to life. In his brief interval of death, he has acquired a sensory power that mystifies and frightens him. Fiercely drawn to each other, Rowan and Michael set out to solve the mystery of her past and his unwelcome gift, and an intricate tale of evil unfolds: an evil unleashed in seventeenth-century Scotland, where the first “witch,” Suzanne of the Mayfair, conjures up the spirit that spells her own destruction and torments each of her descendants in turn.
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Praise for Anne Rice and The Mayfair Witches
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“Behind all the velvet drapes and the gossamer winding sheets, this is an old-fashioned family saga. . . . Rice’s descriptive writing is so opulent that it almost begs to be read [by] candlelight.”—The Washington Post Book World
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“[A] huge and sprawling tale of horror.”—The New York Times Book Review
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“Lush prose, dense atmosphere, steamy sex, Gothic tension . . . Rice stages her scenes in a wide variety of times and locales, tapping deeply into the richest veins of mythology and history.”—San Francisco Chronicle
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“Spellbinding . . . mythical . . . Rice is a pure storyteller.”—Cosmopolitan
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“Rice sees things on a grand scale. . . . There is a wide-screen historical sweep to the tale as it moves from one generation of witches to the other.”—The Boston Globe
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“An intricate, stunning imagination.”—Los Angeles Times Book Review
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“It is hard to praise sufficiently the originality of Miss Rice. . . . She has made a masterpiece of the morbid, worthy of Poe’s daughter.”—The Wall Street Journal
- Sales Rank: #43240 in eBooks
- Published on: 2013-10-07
- Released on: 2013-10-07
- Format: Kindle eBook
From Library Journal
From the Mayfair Witches collection, only The Witching Hour seems to provide much of a coherent story, though the other works have considerable information on Rice's world of witchcraft, spirits, and human-like aliens as well as the Mayfair family of witches itself. The three titles are excellently read by Joe Morton, Lindsay Crouse, and Tim Curry, but it's unclear what the producer was trying to accomplish by arranging the set out of chronological order. The action in Lasher logically follows that of The Witching Hour, which ends describing the relationship of Rowan Mayfair with the spirit Lasher. Taltos seems to be a vehicle to redefine Lasher, killed off in the earlier work, as a demon who assumed the identity of Mr. Ash/St. Ashlar, a nonhuman, nonvampire being whose kind live for millennia. There's a lot of pseudomyth touched up with Catholic or voodoo imagery and laced liberally with incestuous or otherwise taboo sex: a Mayfair dynasty no doubt but with no discernible witchcraft and quite a fixation on the female breast. Horrifying, no, though quite horrible. Merrick, on the other hand, provides the listener with an excellent abridgment, read with great feeling and effectiveness by Sir Derek Jacobi. Though Merrick is a Mayfair and a witch, one will not have had to read a majority of other works Rice has written about the Mayfairs to understand what is happening in this story. Also, along with the myth and voodoo allusions, one actually gets some of what the listener would think of as witchcraft. It's decidedly spooky stuff that also explores Rice's visions of possible afterlives, the mortality of witches, and the virtual immortality of vampires. Acquire Mayfair Witches in this abridged set only if circulation patterns indicate you should. Merrick is highly recommended for adult fiction and horror collections. Cliff Glaviano, Bowling Green State Univ. Libs., OH
Copyright 2001 Reed Business Information, Inc.
From the Inside Flap
The Witching Hour Read by Lindsay Crouse
Lasher Read by Joe Morton
Taltos Read by Tim Curry
8 cassettes/ 10 hours
The Witching Hour
The first of the Mayfair Witch triology. This is the complex history of the mysterious Mayfair family through centuries of their tangled existence with a demonic spirit, a spirit that has brought them power and terrible tragedy. At the center of the novel is Rowan Mayfair, the heir to the Mayfair fortune, who must face her family's mysterious past and her own strange powers.
Lasher
The sequel to the Witching Hour. It's the story of Rowan Mayfair, the queen of the Mayfairs, who is held spellbound by the demon Lasher, the same demon who has lured the Mayfair women for centuries, and her escape from his demonic spell with their child. Through her escape and the cast of characters, demon and angel, mortal and immortal, the novel journeys across the globe and across the centuries.
Taltos
The last novel in the Mayfair Witch triology. This mesmerizing novel is a journey back through the centuries to a civilization half-human species living among humankind and whose sole survivor is seeking answers about his origin and his peoples' tangled history with the mysterious and powerful Mayfair family.
About the Author
Anne Rice lives in New Orleans with her husband, the poet and painter Stan Rice, and her son, the novelist Christopher Rice.
Most helpful customer reviews
76 of 80 people found the following review helpful.
Totally Bewitched
By BirdieTracy
I bought the electronic version of this book because my hardcover copy was getting a bit worn. Actually more than a bit worn.
As blasphemous as this may sound, this is probably my favorite book by Anne Rice. Maybe it was the age I was at when it was released. I don't know. I can honestly say that I have read, and pretty much loved every book she's written, but this one put so many hooks in me that I guess I never got away.
There are so many stories going on. There is the child, practically stolen at birth. The ghost that gives wealth and power while it plots it's future. The lost women, used and discarded. An evil woman so cloaked in self righteousness that she believes her behavior is not only acceptable, but necessary. And the witch determined to free the family from it's curse.
Witch burnings, the Renaissance, moving to the New World, the Jazz Age. After all, this story covers some 300 plus years. And then there is New Orleans and the House. There is simply no other place like New Orleans. Even today the streets, houses, cemeteries, people, churches and sometimes, it seems, the very air are different. A very Old World place plopped down in the New.
I truly believe that in just about anyone else's hands all of the threads of this story would be a knot so tangled it would require a knife to undo. A really big knife. How she manages it is beyond me- but she does. Beautifully.
So, if you like history, romance, mystery, suspense, and some seriously spooky goings on, you might love this book as much as I do. Well, almost as much.
135 of 153 people found the following review helpful.
Rice's journey through myth, legend and the supernatural
By Chris K. Wilson
"The Witching Hour," Anne Rice's 1990 foray into witchcraft and the occult, is not really a change of pace for the uniquely gifted author more than it is a better realized creation emphasizing her strengths and obsessions. As most readers know, Rice cut her teeth with the enormously successful Vampire Chronicles including "Interview with the Vampire" and "The Vampire Lestat." With "The Witching Hour," Rice has taken a well-deserved break from the immortal lives of her witty vampire clan, creating a fascinating legend of a family of witches stretching back four centuries and two continents.
The witches, known as the Mayfairs, are connected by the haunting thread of the mysterious spirit Lasher, appearing ghost-like to a selected few, standing within the shadows of ominous trees and forming within mirrors, tears streaking his pale face. Lasher forms an eerie, if not erotic bond with the women of the Mayfair clan, providing untold riches and eventually amorous damnation. But Lasher, much like the legacy of the Mayfair family, is an exotic mystery waiting to be solved, and this intimidating responsiblity falls into the modern-day hands of Michael Curry and Rowan Mayfair. This appealing, love-struck couple, set out for New Orleans to solve the mystery and reclaim the souls of the Mayfair family.
"The Witching Hour" was eventually followed by two sequels, but it stands alone as one of Rice's greatest novels, an enthralling, complex epic filled with gothic mystery, dancing ghosts and heartbreaking irony. Her descriptions of the decayed mansion on First Street, situated in the Garden District of New Orleans, a moody, ancient home owned by the Mayfairs for over 100 years, provides some of this novels most sensual and memorable passages. This house is indeed haunted by spirits and the hovering mysteries of past tragedies, but like Shirley Jackson's classic "The Haunting of Hill House," what is lurking within the home is much more than just crying spirits of the dead.
Rice's body of work has always had an old fashioned taste for the finer things in life, from exquisite bottles of wine to antique furnishings and dusty historic paintings. She caresses these lush trappings, much like a lover embraces an old flame. And her descriptions of these tasteful adornments - clothes, artwork, china, food and even New Orleans culture, all glowing within the flame of yellow candlelight, are examples of her sensual writing style. Granted, the passages leading up to the novel's final conflict, in which Michael and Rowan begin renovating the ancient Mayfair home, move slowly, perhaps providing more architectural detail than the reader is interested in. But Rice is strategically building a growing sense of dread. Horror is going to pay a visit to this young couple, and when it eventually does, the reader's mouth will be agape.
"The Witching Hour" is a mesmerizing novel, combining comfortable elements of the English ghost story with a feather-touch dash of erotica, witchcraft and the occult. As in all Anne Rice novels, the dead will simply not go away. They lurk in the shadows of history, as they have for centuries. Time may have passed these pseudo banshees by, but their power is far reaching. Even within the shadows of skyscrapers, automobiles and computers, these timeless supernatural fears are hiding. In Anne Rice's fascinating worlds, ancient legends live and wait, and our imagination is entranced.
46 of 50 people found the following review helpful.
My All Time Favorite Book
By Amy Wallace
This may be my all time favorite book. Ever. I first read this book when I was 9 years old. I skimmed through it, reading bits and pieces. As I got older, I kept picking this book up and re-reading it, gleaning more and more of the information contained within the text. So many different stories, so many different characters. I remember re-enacting some of the stories with my dolls.
This novel is epic, both in length and in the story. Dr. Rowan Mayfair discovers that she is adopted several years after the death of her adoptive parents and after the death of her biological mother, a woman she never even knew existed. Rowan is an heiress to a massive fortune and a large mansion in the Garden District in New Orleans. Along with the house and fortune, Rowan inherits a massive family with a long and twisted history and a family ghost.
Maybe I love this novel because I too, am adopted. I think every adopted child fantasizes about their biological parents,, imagining them to be someone famous, royalty or very wealthy. Anne Rice created a character that seems absolutely real from the beginning, coming alive off the page and turning into a living, breathing woman before your eyes.
All of Anne Rice's characters throughout the novel have a tendency to leap off the page and become real for the reader. I can almost hear their voices, accents and inflections in the dialogue, as if I was watching a mini-series in my head. With each re-read of this book, I enjoy it more and more. With each turn of the very last page, I feel as though I have uncovered yet another dark secret from within the novel. A sense of accomplishment comes every time I read the last few words.
Not only have I read this novel over and over again, I have also read every other novel Anne Rice has published to date. I think this book shines brighter than any of her other novels or series. Don't misunderstand me, I loved reading her other novels, but this one has always seemed like the best of the best. One of the characters in The Witching Hour, Michael Curry, re-reads Charles Dickens' Great Expectations over and over again because it is his favorite book and never fails to capture his imagination. I feel the same way about The Witching Hour and read it any time I need to escape from reality.
This book has it all: grand plantations, townhouses, a ghost story, family secrets, family history, witches, and a mystery to solve. This novel never fails to suck me in, transport me to the streets of the Garden District and into the Mayfair Family history. I have never been to New Orleans, but I know it would feel familiar if I visited. I would recognize the places in the novel that Anne Rice describes. It wouldn't surprise me to see a twisted old woman sitting on a screened in porch in a rocking chair and know that she was Deirdre Mayfair, or see an old Englishman standing on a street corner and know it was Aaron Lightner. Anne Rice may not know it, but I think that she may have written one of the best books in literary history with The Witching Hour. I can't ever get enough of it, that is the basis for a damn good novel: one that you never want to end.
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